Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.

艾薇和豆豆报了芭蕾舞课，却发现她们要在数百人面前演出。要赶快逃跑才行！

Бедная семья: муж — пьяница, жена — прачка. Последние заработанные женой крохи муж тратит на выпивку. Однажды видят они картину, писанную акварелью, на которой изображен их ветхий домик. И дом на картине выглядит уютным и приветливым, а не таким унылым, каким они его себе представляли.

本片描述了一个平静国家的人民不同的遭遇，但它从未成为一个国家。在若干年后的今天，大家也许都淡忘了，但那些古老的回忆仍然会让我们感动不已，一个个小故事组成了感动的元素，这些普通人民的故事会让我们铭记……

以采访梦境的形式串联在韩打工的外乡人的群像，通过他们身在异乡为异客，异乡犹有故国梦的的讲述和大量生活环境的空镜展现他们不一样的乡愁和孤独，他们来自世界各地，又散落韩国各地，他们各自有梦，生活在不一样的风景之内或之外

一个年轻雄心勃勃的律师准备迎接世界的挑战……某晚，一位女性出租车司机来到他的办公室，告诉他她在车里遭到强暴，并希望找到强暴犯。不仅如此，他对自己的第一个案件感到兴奋，同时也对这位女人产生了兴趣。沿着她提供的线索追查时，律师总是得到同样的回答：“我看到了他，但他刚离开。”律师继续质问司机，每次这么做时，他的录音设备总会出现问题。律师常去一家理发店，因为他被理发师的年轻与清新的美貌所吸引，并向她承诺会保护她。某个深夜，出租车司机邀请律师去她家，律师第一次见到了她的“真面目”，但他甚至无法想象她是什么样的人。另一个深夜，律师接到警察局的电话，理发师因卖淫被捕。

一个心事重重的女人独自走进一片密林，往事像野草一样生长在山谷中，眼前的风景熟悉而陌生。她似乎被带入了一段模糊的过去之中。

玫瑰和蒋雨是多年老友，但两人性格迥异，玫瑰热情随性，活在当下；蒋雨内敛谨慎，做事情总是跟着计划来。两人一起来欧洲留学。玫瑰选择了巴黎，蒋雨选择了德国小镇凯塞斯劳滕。一年过去后，玫瑰的异国恋男友催促她回国，她也受够了在巴黎孤独的生活，决定回去。临走前她来到凯塞斯劳滕准备和蒋雨告别，谁知两人相处下来的这段时间里，玫瑰发现自己对蒋雨有超出友谊之外的感情.......